Brand Makers
Priya Nair appointed new CEO and MD of Hindustan Unilever, replaces Rohit Jawa
In a landmark decision, the U.S. Court of Appeals has struck down the Federal Trade Commission’s (FTC) “click‑to‑cancel” rule, which was designed to simplify subscription cancellations by requiring digital services to offer cancellation methods as easy as the sign-up process.
The rule had been set to go live on July 14, 2025, but judges found that the FTC failed to complete a required economic impact analysis for regulations projected to exceed $100 million in annual effect, rendering the rule procedurally flawed. This regulation was part of the Joe Biden administration’s broader consumer protection agenda, aimed at reducing digital friction and ensuring fair treatment in online services.
Supporters argued that such transparency would reduce negative-option marketing traps that lock consumers into recurring charges.
With the rule struck down, streaming platforms like Netflix, Amazon Prime Video, Disney+, and HBO Max are no longer obligated to maintain frictionless cancellation processes.
Though most currently allow straightforward opt-outs, services could choose to reintroduce hoops such as hidden settings, multi-page flows, or phone-based cancellations to reduce churn and boost revenue.
The ruling also carries global implications. Streaming giants tend to standardize subscription experiences worldwide. If they alter cancellation protocols in response to the U.S. court decision, users in countries like India, where consumer regulation and enforcement vary, could also see more cumbersome procedures.
The Storyboard18 Digital Entertainment Summit (DES) unpacked India's strategy for leading the digital entertainment economy, with top policymakers where they putlined how talent, technology, and governance would fuel future-ready growth.
Read MoreAt the Storyboard18 Digital Entertainment Summit in New Delhi, policymakers and industry leaders outlined how talent, technology, and governance will drive India’s push to dominate the global entertainment economy.